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主演:VickyHarris JennyKitseli ArhontissaMavrakaki EftyhiaYakoumi 

类型:剧情,情电影 导演:NikosNikolaidis 状态:DVD版 年份:2005 地区:希腊 语言:希腊语 希腊语  豆瓣:0.0分热度:602 ℃ 时间:2022-01-25 07:04:20

简介:详情主演:VickyHarris/JennyKitseli/ArhontissaMavrakaki/EftyhiaYakoum导演:NikosNikolaidis语言:希腊语/希腊语地区:希腊编剧:类型:...
    主演:VickyHarris/JennyKitseli/ArhontissaMavrakaki/EftyhiaYakoum导演:NikosNikolaidis语言:希腊语/希腊语地区:希腊编剧:类型:剧情上映时间:2005 别名:用户标签:希腊,Cult,2000s,Nikos.Nikolaidis,剧情,NikosNikolaidis,Nikos·Nikolaidis,Nikos_Nikolaidis片长:Greece:123分钟imdb编号:tt0494901希腊CULT导演NikosNikolaidis的最后一部作品!   1.ametaphoricaltranslationofnowadaystruths   First,ImustsaythatthisisnotatypicalHollywoodspoonfeedingormainstreamproduct.TheZeroYearsisacontroversial,extreme,unusual,outrageous,mysterious,absurd,daring,exotic,eroticandpoliticalfilmwhichbelongstoatrilogythedirectorhasnamed"TheShapeoftheComingNightmare".   IhadthepleasureofdiscoveringthisgemattheChicagoInternationalFilmFestival.Itchallengedmanyoftheviewersatthescreeningbutthepresenceofit'sleadactressVickyHarris(she'sAmerican?!!)fortunatelyclarifiedmanyofthequestionsthataroseduringanextendedquestion/answersessionafterthescreening.   Thecorrectinterpretationofthedirectorsmessagesseemeddependentofthepreviousfilmsofthetrilogyandevenmoreso,asHarrisexplained,eachoneofhisfilmsisonlyapieceofthegreatercanvasofthisdirectorswork.Unfortunately,onlyoneofhispreviousfilmshasbeenreleasedintheUnitedStates.TherestcanbefoundonDVD,butwithoutsubtitles.   Yes,theaudiencehadmixedreactionsbecausethisISaprovocativefilm.Thesetypesoffilmsarenotcreatedtobelovedorhatedandthedirectorobviouslywasnotaimingforsomespecificreaction.Hewasjustpouringouthisverypersonalbeliefswithoutcaringaboutopinion.Opinionsareboringandwehavesomuchofitinourworld,which,bytheway,isfullofcritics.Whatonethinksofamovieisirrelevant!Thequestionshouldbe:Diditreachyoursubconsciousornot.Diditmakeyouthink?andthesequestionsbytheway,cannotreallybeansweredatthetimeyouseeafilmlikethisbecausethereisnowayyoucanhaveaconceptaboutwhatithasdonetoyouyet.Ifyouletthisfilmaffectyou-youwillfinditwillgointoyourdeepest-darkestpart,asitdidours,andTHATisthebeautyofthisfilm.   Itfeaturesfourleadfemales.Foura-typicalcharacterswho'sensembleactingissointensethatyoucannotresistentering"theirworld"whichisoneof:off-beatdialog,originalyetambiguousstorylines,surprisingplotresolutionsandbravethemesofsexualandpoliticalnature.Andalthoughthesetypesofmoviesareusuallynotperformancebased,mostoftheperformancesinthismoviewillrockyourmind.Harrishasafilmpresencethatisalmosthypnotic.Herperformanceisuniquelybalancedbetweenintellectualchoicesandtruthfulemotions.Sheeffortlesslytouchesyouthroughandthrough(andherpresenceatthefestivalwasadoubleverificationofhertalent,asonecouldseethatinreallife,sheborenoresemblancetohercharacter).Kitselias"theleader"isfantastic!andmomentscomingfromMarowerestrongtoo.Christinacompletesthegroupyetseemsabittheatricalattimes.Asanensembletheyareallfabulous!   FoursterilizedwomenworkinginaState-runbrothel,afterthedeclineofthe"newWorldOrder"(whichthedirectorbelievesisNOTinthefuture-itisNOW).Weallseetheconnectionyetsomecalleditaviolentfilm.Well,violenceisapartineverymans-everydaylife,andonmanylevels.Yetnomatterwhatwesay,themoviescreenisatit'sbloodyestwhenwearetalkingaboutviolationofthemindandsoul.Suchisthecaseofthesecharacters.Livinginasocietyofrepression("Theytoreoutourwombsandimplantedfear")..."SterilizedbytheState"...   Thisfilmisjustastrongmetaphoricaltranslationofeverydaytruths.Yet,notforeveryonetoaccept.   2.Fourwomen,barren,undersurveillanceandcontinuoustoxiccontrol,areservingtheirterminagovernmentrunbrothel   BeyondhisnarrativegeniusN.N.'sevolutionturnshiscreationsintosignificant(and)extra-filmevents.Thisisparticularlyevidentin"THEZEROYEARS"–Beyondtheobviousandtheimplied(globaldictatorship,etc.)thereisadiscreetandpenetratingpsychologicalanalysisandobservation.Asweknowattheendof"THEZEROYEARS"weclearlyperceivethatbecauseofthedeadlockandthelackofsolutionsitsheroineschoosehelloverthefreeopenworldwhich(however)hasbeeninvalidated.Itisbothaconsciousandanautomatedchoice.Thewomenareovercomeby"institutionalism".Hellisfinebecauseweknowitanditisbetterthanasupposedlyfreeworld,which,inanyevent,iswhollycontrolledandtotallynotfree."Ilovemybondsandmytorment;theyarebetterthantheunknownhorroroftheoutside."The"noirspoke"tousmanytimesaboutimpassionedheroesandtheirbonds,characterswhoareterrifiedofthefreeopenfields.N.N.goesbeyondthisfilm-noirconventionandreachesfurthertoapproachexistentialphilosophy(particularlythatofCamus).Amicro-prisoninsideanenormousone.WhateverwechoosewearetrappedandwhatwedemandisnottogetOUTbuttofreeeverything,toteardownallthebarbedwire."THEZEROYEARS"isachronologyoftheendofcivilizationandofurbaninstitutions.Everythingisillusion;everythingisutopiaandatrap.ALEXISDERMETZOGLOU

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